If you've seen Un Chien andalou (1929), it's unlikely you've ever forgotten the experience. To begin with the basics, Un Chien andalou is not the sort of film you'd expect to become an acclaimed masterpiece.
BFI also includes the 16-minute short film Un Chien Andalou, also presented in 1080p/24hz, in the aspect ratio of 1.33:1.The Blu-ray disc is region free. Today it is hard to disentangle the film’s influence from the wider influence of surrealism in general, though critics have found echoes of Un Chien Andalou in everything from advertising to music videos, horror movies to punk, David Lynch to Alfred Hitchcock and Roman Polanski (the nightmarishly grabby hands in Repulsion are a direct allusion). Un Chien Andalou was the calling card of two desperate, unknown Spanish artists. Luis Buñuel’s surrealist masterpiece L’Age d’or comes to Blu-ray from BFI Video with a new 1080p/24hz video transfer in the aspect ratio of about 1.19:1 on this single-layer Blu-ray disc. [1] It was Buñuel's first film and was initially released in 1929 to a limited showing in Paris, but became popular and ran for eight months. Un Chien Andalou (1929, Fr.) (aka An Andalusian Dog) (short) In Luis Bunuel's short surrealistic film of unexplained imagery ("Once upon a time"), created in collaboration with artist Salvador Dali: Different editing techniques order and frame shots such that they direct and control the audience’s attention. These can be interpreted according to this theory of the true functioning of the unconscious mind. In the opening scene of Un Chien Andalou, a man is seen to slice open what appears to be the eye of a woman, with a razor.
Un Chien Andalou (French pronunciation: [œ̃ ʃjɛ̃ ɑ̃dalu], An Andalusian Dog) is a 1929 silent surrealist short film by the Spanish director Luis Buñuel and artist Salvador Dalí. If you haven't seen it, prepare yourself for one of strangest, craziest, most darkly fascinating movies of all time.

In Un Chien Andalou Buñuel and Dalí present many situations lacking in reason, aesthetic and moral concern.

It “came from an encounter between two dreams.” (1) The script was an easy and joyful joint collaboration between Buñuel and Dali (Buñuel would continue to write scripts in collaboration for the rest of his life), and Buñuel shot the film quickly over two weeks on a small budget supplied by his mother. Film Editing featuring “Battleship Potemkin”, “L’homme a la camera”, and “Un Chien Andalou” Editing refers to the process of connecting separate takes and shots into a coherent film. Picture 6/10.